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Don't be racist this Halloween.
If the world couldn’t be spooky enough, this weekend is Halloween. Its origins date back to Samhain’s ancient Celtic festival when people would light bonfires and wear costumes to ward off ghosts (History) – although many other cultures worldwide have had practices that honor the dead. This practice has been adapted and evolved throughout history to what we see in modern-day culture in developed nations. But one sticking point has been the lackadaisical approach to costumes.
Welcome back and happy Friday. Growing up, Jasmine was my favorite Disney princess. Her skin was the closest to my shade (Disney didn't have a Black princess until 2009), she had a pet tiger (my favorite animal) and she had long, luscious hair, which I coveted as a child. I was thrilled to be her for Halloween in second-grade, and as Tiger Lily from Peter Pan a couple of years later. For both costumes, they were the only times I got to wear fake hair, and I remember feeling as pretty as the white girls I went to school with.
Now, I look back and see the layers of internalized racism I experienced as a Black girl in an all-white neighborhood, and the gross cultural appropriation of communities that I never got to learn about besides their glorified Disney stories on a TV screen. Although I certainly didn't mean any harm (nor did my family), I contributed to the whitewashing of marginalized communities – and minimized my own narrative in the process.
I think about this a lot each Halloween season, and this one is no different. I'm not sure what your plans are this weekend – I hope you're socially distancing – but nevertheless, it's a good time to reflect on how this holiday contributes to the narratives we discuss in the newsletter.
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TAKE ACTION
Research your costume before making a decision.
Choose a Halloween costume from your past that was inappropriate. Spend this weekend learning the real history of the community it comes from.
If you have the power and privilege to do so, socially distance this weekend. Remember that COVID-19 disproportionately impacts those most vulnerable. Do NOT expose them because you need to dress up and act foolish.
GET EDUCATED
By Nicole Cardoza (she/her)
If the world couldn’t be spooky enough, this weekend is Halloween. Its origins date back to Samhain’s ancient Celtic festival when people would light bonfires and wear costumes to ward off ghosts (History) – although many other cultures worldwide have had practices that honor the dead. This practice has been adapted and evolved throughout history to what we see in modern-day culture in developed nations.
But one sticking point has been the lackadaisical approach to costumes. Nowadays, it seems that Halloween is the one day that people believe they can get away with wearing harmful and disparaging costumes of marginalized communities. 2020 is unique – we’re amid a racial reckoning, on the eve of a critical election, and limited in how we should celebrate because of a global pandemic. But that’s all the more reason to analyze how racial stereotypes are promoted through the festivities of the holiday.
Before we dive into costumes themselves, we need to stop asking what’s racist racist and what’s kinda racist. Racist is racist. And all of it upholds systemic oppression. But society has trained us to believe that there’s an acceptable form of racism. Most of the white supremacy that perpetuates systemic oppression is overlooked, and only the most violent and blatant forms are condemned. This is often depicted using an iceberg; a small percentage of racist and oppressive actions are visible “above the surface,” whereas most are underwater.
Image via Attn.
The topics seen above the line in this graphic are referred to as “overt white supremacy,” and what’s underneath is “covert white supremacy.” But here’s the thing: what lies under the surface actually forms a foundation for the overt forms of white supremacy to thrive. If I had some illustration skills, I’d think about this more as roots and a tree. That’s a more accurate depiction of how to take action: we can’t just cut down the tree itself but uproot the entire plant.
So let’s start with the basics – the overt, so to speak. Don’t wear blackface. Don’t dress as any racial or ethnic stereotypes (as Madeleine Aggeler says in Bustle, “dressing up as an entire people instead of a specific person is a bad idea”). Don’t appropriate any cultures or beliefs. And while we’re at it, don’t wear anything to make fun of someone with a physical or mental disability. Also, let’s not dress up for anyone known for their racist ideologies, okay? Because pretending to be a white supremacist is an act of white supremacy. So KKK, Nazis are a hard no. But so are colonizers – references to incarceration or immigration, or dressing as sports teams that uphold racial stereotypes.
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Treating other people’s cultures as a costume is the entire problem. It’s a problem if you are making fun of that culture; it’s a problem if you think you are lauding that culture.Elie Mystal for The Nation
And there are some costumes this year that aren’t overtly racist but are definitely racially charged. I’d give some deep thought to whether dressing up as law enforcement is appropriate, especially if you are a grown person and will be wearing a mask – you could easily be mistaken for the real thing and make others feel unsafe. Dressing up as coronavirus during a global pandemic, after 220,000+ people have lost their lives to it, is also very tactless. Consider the power and privilege that may influence the decision behind choosing one of these costumes.
Many people ask where the line is regarding cultural appropriation when it comes to costumes based on characters in the media. And here, it does become more challenging (although we have to keep in mind that the media itself isn't always a gold standard of cultural recognition). Characters like Moana or the Black Panther have distinct ties to marginalized communities but have also become popular culture through movies and merchandising. The notion of whether people can dress up as these characters are hotly contested (read more on Black Panther in the NYTimes). But it doesn’t always make it okay. When you wear the costume, are you conscious of the narrative beyond the Disney storyline that the character represents? And how are you in relationship with the community, not just the character? These are the questions I wish someone had asked me when I was wearing the costumes mentioned in my intro.
Generally speaking, if you’re going to do the work to plan your costume, a quick internet search on how it will be perceived should be a part of your planning. But what often gets lost in these conversations is what more to do. And I think Halloween weekend can also stand for a time where we commit to learning more about the communities that are appropriated during this time. This can be incredibly powerful with children; understanding various communities’ history builds empathy, which is often a more lasting connection than discipline. Halloween isn’t about trick-or-treating if it doesn’t treat us equitably.
KEY TAKEAWAYS
Halloween is culturally a time where many people wear costumes that include blackface and/or cultural appropriation, in addition to other oppressive and/or racially charged attire
Whether overt or covert, all forms of white supremacy are harmful, and contribute to the racist world we live in today
We need to move past dressing as characters to recognizing the unique cultures and identities of those we wish to impersona
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