Nicole Cardoza Nicole Cardoza Nicole Cardoza Nicole Cardoza

Support local journalism.

Local journalism needs your support now more than ever. Resources for local publications have been dwindling for years, spurred nearly a decade ago when readers shifted from print to digital publications. Moving news consumption from online to offline enabled national outlets to attract more readers, siphoning readership – and advertising revenue – from local publications. Beyond that, local advertising revenue has moved towards tech behemoths like Facebook and Google, who offer more cost-effective, segmented opportunities to reach an audience (Washington Post). Over 2,000 local newspapers have shuttered since 2004. By the close of 2019, over 65 million Americans live in counties with only one local newspaper—or none at all (Brookings).

Happy Monday and welcome back to the Anti-Racism Daily! We've been reporting on the rise of anti-Asian violence this year. Despite the work of local reporting, many of those stories failed to gain national news, which may have shielded many from the pain the Asian community has been experiencing until the tragedy last week.

It was a good reminder to reflect on the role of local and independent journalism to keeping us informed. If you're reading this, you've already taken a chance on an independent publication committed to sharing stories often overlooked and unheard, so THANK YOU! But even we won't report on every injustice in every community. Today's call-to-action is to add more local reporting to your reading list. It won't just keep you resourced to support your neighbors, it'll invest in the space for life-saving information in the future.

This newsletter is a free resource made possible by our paying subscribers. We'd love you to consider making a monthly recurring donation on our website or Patreon. You can also give one-time on PayPal or Venmo (@nicoleacardoza). Thank you for all your support!

Nicole

TAKE ACTION

  • Find a local newspaper and, at minimum, subscribe for updates. Here’s a directory of nonprofit local news organizations created by INN.

  • If you have the funds, make a recurring subscription to your local news outlet. See if they’re listed on NewsMatch, an initiative that matches donations to local news outlets.

  • Check your local newspaper and identify issues related to white supremacy and systemic oppression that you may read about in the national news. Notice how broader trends affect your community each day.

  • See how you can support local journalism programs in your community, including (and not limited to) contributing to scholarships, mentoring, and sharing their work on your social media accounts.

GET EDUCATED

By Nicole Cardoza (she/her)

Local journalism needs your support now more than ever. Resources for local publications have been dwindling for years, spurred nearly a decade ago when readers shifted from print to digital publications. Moving news consumption from online to offline enabled national outlets to attract more readers, siphoning readership – and advertising revenue – from local publications. Beyond that, local advertising revenue has moved towards tech behemoths like Facebook and Google, who offer more cost-effective, segmented opportunities to reach an audience (Washington Post). Over 2,000 local newspapers have shuttered since 2004. By the close of 2019, over 65 million Americans live in counties with only one local newspaper—or none at all (Brookings).


Like many, these issues have been exacerbated by COVID-19, when local journalism is most needed. A joint survey conducted by the Tow Center for Digital Journalism and the International Center for Journalists showed that 21% of respondents reported that their salaries had been cut, 6% experienced furloughs, and 6% were laid off. The US Bureau of Labor Statistics reported that journalism jobs are projected to decline by 11% over the next ten years (Columbia Journalism Review).

This is an issue because local publications can be life-saving resources for your community. No national media organization can mobilize as effectively as a local team can. Here in Texas, the Texas Tribune was an invaluable source of information during the winter freeze and blackout in February. The organization shared lists of warming stations and places to find food, organizations to support, and even set up a text platform to offer regular alerts. L.A. TACO, which reports on all things Los Angeles, launched a daily text platform for unhoused residents & advocates with copies of sanitation schedules, updates on COVID, and other resources (L.A. TACO). Even if you don’t personally think you’ll benefit, consider those that rely on fast, free, and accurate reporting to navigate issues related to transportation, safety, and housing.

In addition, many of the injustices the U.S. has rallied around this past year were sparked by local reporting that raised awareness and mobilized thousands of people to take notice. The Brunswick News had published seven stories on the murder of Ahmaud Arbery before the story was picked up by the New York Times, gaining national recognition. Similarly, Kentucky’s Courier-Journal was the only outlet – aside from national Black-led platforms The Root and Blavity – to publish reporting on the death of Breonna Taylor until May, two months after her death. Their deaths deserved accountability and justice well before they came nationally-recognized stories. We must pay attention to advocating for justice in our communities instead of waiting for national headlines.

Thankfully, this past year has brought a broader realization that more independent, homegrown, local journalism is essential for accurate reporting. Part of this was fueled by the rise of misinformation and disinformation that took off on social media platforms and perpetuated by conservative political leaders quick to cry “fake news.” It may also be accelerated by the racial reckoning that’s swept nearly all national media outlets. From Bon Appetit to the New York Times, the Inquirer, and Refinery29, many had top executives step down since June 2020 (Washington Post). Local journalism is facing the same calls for accountability, which we can only hope strengthens its capacity to accurately reflect the diversity of your community and its needs.

It’s also accelerated an uptick of independent journalism, which is another worthy place to invest. Many writers and editors, particularly those from marginalized backgrounds, left (or were fired) traditional media to start their own. This past year introduced a surge of micro publications hosted on websites, social media, or newsletters to the industry (including the Anti-Racism Daily, thank you for being here!). This freedom allows writers to write more candidly about current events and bring their own perspectives into the storytelling. I recommend searching for newsletters, blogs, or podcasts based on your city to find independent writers to support. 

Similarly, growing non-profit, independent publications are diving into critical issues around racial equity. According to a Knight Foundation study, nonprofit news organizations tend to be more diverse than traditional outlets (although still less than the general public). This is likely to provide broader perspectives and insights in its reporting (Knight Foundation). Even if they’re not local, they may be an excellent place to learn about specific issues facing your community. Prism is a reporting platform that focuses on topics related to the BIPOC community. The Forge reports on organizing work across the U.S. The Fuller Project focuses on global reporting of injustice to women. ProPublica’s Local Reporting Network pays covers the cost of reporters at news organizations across the country so they can spend a year working on an accountability journalism project of importance to their communities. And More Perfect Union is following stories on labor rights for the working class.

With so much unfolding this year, it might feel like the best bet to read national news. But the urgent issues that make national headlines have action items that start in your backyard. Become a more active member of your local and independent news and help build a more equitable community.

KEY TAKEAWAYS

  • Local journalism is essential for understanding how larger systemic issues directly impact your community

  • Disinformation, the economic impact of COVID-19, and declining advertising revenue have all contributed to negatively impacting local journalism

  • There's new and emerging independent writers and publications that are focused on issues especially relevant to marginalized communities.

RELATED ISSUES

PLEDGE YOUR SUPPORT

Thank you for all your financial contributions! If you haven't already, consider making a monthly donation to this work. These funds will help me operationalize this work for greatest impact.

Subscribe on Patreon | Give one-time on PayPal | Venmo @nicoleacardoza

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Jami Nakamura Lin Nicole Cardoza Jami Nakamura Lin Nicole Cardoza

Decolonize your reading habits.

Until recently, I worked for a public library. Part of my department’s job was recommending books to patrons who wanted suggestions of what to read next. Unfortunately, our staff often only recommended books by writers of color if the patron asked for it specifically— if they asked for books about racism or for Black History Month or about “the immigrant experience.”

It's Thursday! Welcome back to the ARD. As we enter the holiday season and plan to spend more time indoors, book sales spike. If you're looking to gift yourself or a loved one with a new book, make it a new tale from a diverse writer. Today, Jami explains the significance of broadening your reading habits and pitfalls of the publishing industry.


This is the Anti-Racism Daily, a daily newsletter with tangible ways to dismantle racism and white supremacy. Support our work by making a one-time contribution on our website or PayPal, or giving monthly onPatreon. You can also Venmo (@nicoleacardoza). To subscribe, go to antiracismdaily.com.

Nicole

TAKE ACTION

  • Browse through your bookshelves or think about the books you’ve read this year.
    Reflect: How many books are by people of color? By Black writers? Are all those books only focused on trauma or pain? Are all the books you read for fun or pleasure all by white writers?

  • Ensure that your anti-racism reading translates off the page. After you read a book, ask yourself: what actions or steps are you taking in response? 

  • Divest from Amazon. Buy from Black-owned bookstores.

GET EDUCATED

By Jami Nakamura Lin (she/her)

Until recently, I worked for a public library. Part of my department’s job was recommending books to patrons who wanted suggestions of what to read next. Unfortunately, our staff often only recommended books by writers of color if the patron asked for it specifically— if they asked for books about racism or for Black History Month or about “the immigrant experience.”

But people didn’t ask those questions very often. They asked for thrillers. For books like Harry Potter or Game of Thrones. For a book with a good love story. And in those cases, our staff would often suggest white author after white author. 

My experience at the library is mirrored in our reading habits across the nation. In the wake of George Floyd, people talked a lot about how anti-racist reading was on the rise, and pointed to the number of Black authors on the bestsellers’ lists (NYTimes). But with one or two notable exceptions, those authors were writing nonfiction explicitly about racism. Meanwhile, the lists were full of white writers writing about everything (Publisher’s Weekly). 

Unfortunately, we have a tendency to read Black authors or authors of color only when they write about very specific topics—and it’s a problem deeply entrenched in publishing. “In the industry, stories about police brutality, the struggle, poverty, etc. have been dubbed “issue” books, and it’s a not-so-secret secret that if your book doesn’t fall into this category, it won’t get any real push or marketing,” says L.L. McKinney, author of the fantasy series The Nightmare-Verse (Tor.com). The industry, she explains, focuses predominantly on Black pain. 

The results of such pigeonholing are far-reaching. Often, these are the only books about Black people assigned in school— an example of how curriculum can unintentionally result in racial trauma (Teaching Tolerance). Meanwhile, McKinney argues that “there’s the exploitative aspect of non-Black readers taking in this story and somehow feeling they’ve accomplished something. They’ve managed activism by bearing witness to the events of the book, but then don’t follow up with seeking change in the real world. Reading then becomes performative” (Tor.com).

This happens against the backdrop of a publishing industry with a huge diversity problem across the board. Editors are 85% white, sales representatives are 81% white, agents are 80% white, book reviewers are 80% white (Lee & Low). (Interns, however, are only 51% white, a statistic that comforts me not at all.) The viral Twitter campaign #publishingpaidme (started by McKinney and YA author Tochi Onyebuchi) exposed the enormous pay discrepancies between Black writers and non-Black writers (Buzzfeed News). Black writers like N.K. Jemisin, whose amazing Broken Earth trilogy won basically every fantasy and sci-fi award, was paid an $25,000 advance for her book; Roxane Gay got a $15,000 advance for Bad Feminist (NPR). Meanwhile, white authors with less experience in the same genre were pulling in six-figure advances. 

So it’s not that reading books about “issues” is problematic. It’s problematic when those are the only books by Black authors (or authors of color) you read. It’s problematic when you turn to writers of color when you want to be educated, but white writers the rest of the time. Instead, we should also be reaching for authors of color when we want a lighthearted, fluffy book. When we want to read something to decompress from our months of election anxiety. When we want to travel to a different world. We shouldn’t have our “race/racism bookshelf”, crammed with writers of color, and have every other shelf filled with white writers.

It can be hard to know where to start—especially when major publications and newspapers don’t make much space for these kinds of books. Luckily, the Internet is chock-full of so many reviewers and book bloggers of color who have collected so many resources for all sorts of genres. Lists like 8 Great Books Celebrating Black Joy by Enobong Essien, 5 Indigenous Speculative Fiction Authors You Should Be Reading by Rebecca Roanhorse, and The Asian Detective Novel: From Racist Caricature to Authentic Representation by Pooja Makhijani show that there’s no excuse for ignorance. (For parents [and other people who love reading YA or kidlit] check out the organization We Need Diverse Books and their wonderful Instagram.)

And when you choose to buy, purchase from Black-owned, Indigenous-owned, or other POC-owned bookstores, many of which have been hit hard by COVID. Most importantly: don’t buy from Amazon. I know, I know—I too have been seduced by their low, low prices, especially when compared to an indie bookstore. But I’m trying to remember that the $5 or $6 dollars I save buying at Amazon is possible because of their exploitative, unethical practices (which we covered in a previous newsletter). The company can offer cheaper books because “they are cutting other costs: taxes, publisher payments, author payments, and safe-labor practices” (Social Justice Books). (For more on Amazon pricing and problems, check out The Nation.)

We need to imagine a different future. Books can point us there—but only if what we’re reading also helps us imagine and understand a world full of the fullness of Black lives, of the joy in Indigenous community, in the mundane and the silly and the vastness of experience of people of color.  It’s important to educate ourselves about the painful reality of racism, but we can’t stop at trauma. Instead, we need to incorporate books by writers of color into all of our reading, and ensure that what we read translates into our actions. 

KEY TAKEAWAYS

  • he publishing industry promotes books about Black pain and trauma more than books by Black writers in other topics or in other genres, like fantasy and romance (Tor.com).

  • It’s important for us to read books by Black writers and writers of color not only when we want to read about racism or want to be educated, but also for leisure—mysteries, romance, thrillers, literary fiction, etc. 

  • The publishing industry is predominantly white. Editors are 85% white, sales representatives are 81% white, agents are 80% white, and book reviewers are 80% white (Lee & Low).

RELATED ISSUES

PLEDGE YOUR SUPPORT

Thank you for all your financial contributions! If you haven't already, consider making a monthly donation to this work. These funds will help me operationalize this work for greatest impact.

Subscribe on Patreon | Give one-time on PayPal | Venmo @nicoleacardoza

Read More