End anti-Asian stereotypes in media.
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Consider: How are people from your racial, ethnic, or cultural background portrayed in popular media? What about people from other communities? Do these depictions influence how you think about people from other backgrounds or yourself? How might they determine people’s safety, well-being, and access to resources and decision-making power? How can we modify, add to, support, or reject these depictions?
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By Andrew Lee (he/him)
Marvel’s Shang-Chi and the Legend of Ten Rings opens this week, the first Marvel film to feature a predominantly Asian cast. When screenwriters scripted the movie, based on a 1970s comic book character, they went so far as to write a “physical list” of racist parts of the story “we were looking to destroy” (Inverse). This highlights the long history of anti-Asian stereotypes in American pop culture — depictions that carry through to the present day.
In the original comics, Shang-Chi’s father is Fu Manchu, an evil magician plotting to take over the West. According to a description written by the creator in a 1913 novel, Fu Manchu possesses “all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources of science past and present … Imagine that awful being, and you have a picture of Dr. Fu Manchu, the yellow peril incarnate in one man” (Inverse).
Yellow peril refers to the long-held white American fear that “Asians, in particular the Chinese, would invade their lands and disrupt Western values, such as democracy, Christianity, and technological innovation” (BGSU). The fear of the yellow peril presented by Asian people was borne out of labor competition between white and Chinese workers, eugenicist fears about “race-mixing,” and supposed “moral degeneracy” (Association for Asian Studies).
When such depictions are criticized, we’re often told that they were mere “products of their time.” This is always a bad-faith retort for two reasons. First is that Asian people, including Asian people in America, are not some sort of recent invention. We had been here for generations when the first Fu Manchu book was published, and it was as hateful in the early twentieth century as it is today. 1913 also saw the passage of the California Alien Land Law to ban Asian people in California from owning or leasing land (Immigration History). Anti-Asian beliefs fuel anti-Asian practices.
The second reason why the “product of their time” rebuttal falls short is that such stereotypes don’t suddenly disappear. Stereotypical depictions of Asian sex workers led some to make jokes mocking the deaths of six women in the Atlanta shootings (Variety). A 2013 General Motors ad called China “land of Fu Manchu” where people say “ching ching, chop suey” (SCMP). The myth of the yellow peril continues to this day. Today, nine out of ten Americans view China as “a threat” (Pew Research) though China is, in fact, the United States’ largest trading partner (Forbes). The American right crows about “kung flu” and the “China virus.” One in four Americans has seen someone blame Asian people for Covid-19 (USA Today). Eight out of ten Asian-Americans report that violence against us is increasing (Pew Research).
The fact is that Asian stereotypes — along with risks to Asian people — persist in the United States. In the words of Shang-Chi actor Simu Liu, “As a progressive Asian American man, I’ve always wanted to shatter barriers and expectations of what Asian men are and be very aware of the boxes that we’re put into — martial artists, sidekicks, exotic, or Orientalist… But I grew up watching Jet Li and Jackie Chan, and I remember the immense amount of pride that I felt watching them kick ass. I think Shang-Chi can absolutely be that for Asian Americans. It means that kids growing up today will have what we never did — the ability to watch the screen and to really feel seen” (Swift Headline).
Asian artists are dismantling stereotypes while Asian communities are organizing and standing in solidarity with other communities of color, as well. Groups around the country are organizing for health, disability, economic, and language justice.
The Black Power movement inspired student activists to coin the phrase and political category “Asian-American.” This wasn’t merely a demographic self-identifier, but a way to join diverse Asian immigrant movements together in a political struggle against white supremacy (Time).
A picture of Richard Aoki man holding a sign reading “Yellow Peril Supports Black Power” has been resonating with a new generation of activists (Huffington Post). It’s not a picture with an uncomplicated legacy, especially since Aoki — the only Asian American person in Party leadership — was revealed to be an FBI informant (NBC News). But building on a history of struggle, inter-racial solidarity, and deconstructing negative stereotypes and the violence they facilitate are all steps in creating a world where all of our communities have safety, power, and dignity.
Key Takeaways
The original Shang-Chi character was the son of Fu Manchu, one example of the idea of the yellow peril.
The yellow peril myth described Asian people as immoral foreign invaders.
Permutations of the yellow peril myth and other anti-Asian stereotypes persist to this day. Artists and organizations are working to build safety and community in the place of stereotypes and fear.
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